All posts by V. Hansmann

Parker Dorman on the Lake

Parker Dorman died on September 23, 2013. Both of us were Wavus campers, earning our Gold Medals thirty years apart. I knew him for fifty years as the father of my friends, Brad, Joan, and Tom, and as a generous and compassionate friend and neighbor on Damariscotta Lake. This is but one thing I remember.

In the summer of ‘96 I was making a promotional video for Wavus and I asked Parker to help me. I wanted to capture the magic of camp’s shoreline via boat. Parker’s stable, old Whaler was the best bet. The morning was bright and hazy and the Lake was like glass. Calmness was paramount to ensure a smooth take with a minimum of pitch and yaw. We began at the Boys swim dock and, with deliberate speed, motored the length of shore to the end of the Point, and turned into the Cove, a distance of over a mile.

After a second pass, our task complete, we headed back to Hemlock Park. Off Pinewood Cove somewhere, the Whaler’s motor sputtered and died. Hefting the gas tank confirmed its emptiness. A quick inventory revealed not a single oar. The Lake seemed suddenly very big and very flat. And very empty. No boat traffic was visible; the crack-of-dawn fishermen had all gone home to go back to sleep. The haze burned off. We sat chuckling and muttering for what must have been a half hour or forty minutes. Two Gold Medal campers in a nautical pickle.

But we were indeed moving inexorably southward. It was no illusion: a breeze was coming up from the northeast. Well, we agreed, at least we’re headed in the right direction, but the rate we were going it would be dinnertime before we made landfall. How can we capitalize on this momentum? What could we use as a spinnaker? I stood up, faced into the breeze, and held my life jacket open, providing enough wind resistance that our speed increased. Then I took the thing off and lifted it over my head. In a majestic ridiculosity, we coasted to Joan Dorman’s dock at Hemlock Park, too embarrassed to be embarrassed.

an excerpt from ‘Fall’ by Donald Hall

The first taste of October’s cider always recovers for me a single afternoon in the autumn of 1944, a long walk with a new friend and a day I cherish. There are days in a long life that are carved without pain in the heart’s chambers, or with pain as sweet as cider’s. In September of 1944, I left home for the first time and lived among the barbarians of adolescence all day and night at a prep school in southern New Hampshire where I studied Latin in hopeless panic and wept tears of solitude and loathed the thicklipped sons of lawyers and brokers who glared at me with insolence, with frigidity, and without acknowledgement. Once I asked directions from someone who looked depressed – the only facial expression I wished to address – and when he proclaimed his ignorance we began our friendship to the death.

Fall

Bennington Writers – Nonfiction

Monday, October 28th  –  6pm
Cornelia Street Café
29 Cornelia Street, between Bleecker & West 4th
Subway Stop – West 4th Street

Peter Trachtenberg will be tonight’s featured reader. Joining him will be Nancy Jainchill, Judith Hertog, and Tara Kelly.

Peter Trachtenberg is the author of the memoir 7 TattoosThe Book of Calamities: Five Questions About Suffering and Its Meaning, and Another Insane Devotion, a book about the search for a missing cat that’s also an encoded exploration of love and marriage (it’s now out in paperback from Da Capo Press). His essays, journalism, and short fiction have appeared in The New Yorker, Harper’s, BOMB, TriQuarterly, O, The New York Times Travel Magazine, and A Public Space. His commentaries have been broadcast on NPR’s “All Things Considered.” He has been the recipient of Guggenheim and Whiting fellowships and a residency at the Rockefeller Foundation’s Bellagio Center. Trachtenberg teaches in the Writing Program of the University of Pittsburgh and currently is a core faculty member at the Bennington Writing Seminars.

V. Hansmann, host

$8 cover includes a drink

Mercy and the Honeydew

A dog can provide a tremendous distraction, all furry affection and simple responsibility. We did the research and settled on a bulldog, the breed I had grown up with. In the back of the dog magazine we found an available litter out on Long Island. A phone call got us a time to visit the brood. Kiffi, Jocelyn, and I decided on a demure, tan and white bitch we named Mercy Jelly, the given name of one of Kif’s obscure New England ancestors. Mercy was sweet and powerfully ridiculous. Her economical body language and open expression underscored her tender disposition. Her drooly, farty, inert years lay in the future.

When she was but a young dog and volatile, Mercy attacked a honeydew melon that had escaped from a grocery bag and rolled across the kitchen floor. She growled and barked as it retreated, then lunged, gnawing on it with the side of her giant mouth. With guttural, slobbery determination, Mercy pushed the sphere along the wall in an attempt to gain purchase. Perhaps her strategy was to trap the evil orb in a corner, but it would just roll away. The three of us collapsed at the table, weeping with joy. We had to wait for Mercy to expend her fury, for she would brook no interference. The honeydew prevailed, but at what cost?

Bennington Writers – Fiction

Monday, September 30th – 6pm
Cornelia Street Café
29 Cornelia Street, between Bleecker & West 4th
Subway Stop – West 4th Street

Katherine Hill will be tonight’s featured reader. Joining her will be David Kalish,
William Bryan Smith, and Maureen Duffy.

Katherine Hill is the author of a novel, The Violet Hour, published by Scribner this July. Her fiction and nonfiction have been published in AGNI, The Believer,
Bookforum, Colorado Review, The Common, n+1
, and the San Francisco Chronicle. A graduate of Yale University and the Bennington Writing Seminars, she serves as an assistant editor at Barrelhouse. She lives with her husband in Princeton, New Jersey.

V. Hansmann, host

$8 cover includes a drink

Kissing My Ass Goodbye

Adieu, fleshy cushion! O cleavèd orb,
This monster grief doth rend my breast apart.
No earthly sponge can all my tears absorb,
For you are more precious than my heart.
Methinks my posture to be out of whack
And my Sunday trousers seem scarce smart
With only my chin to indicate my front or back.
And, thoughtlessly, I should father a fart
‘Twould echo as a lover’s stricken sigh.
In dread, I conject that I might die
And my soul, thus maimèd, to heaven rise,
A freak afraid before immortal eyes;
Condemned to wander through celestial halls
A eunuch for want of ass, not balls.

1974
Revised August 2013